After the American century the ends of U.S. culture in the Middle East
"When Henry Luce announced in 1941 that we were living in the 'American century, ' he believed that the international popularity of American culture made the world favorable to U.S. interests. Now, in the digital twenty-first century, the American century has been superseded, as Ameri...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY
Columbia University Press
[2016]
|
| Subjects: | |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | 55983 | ||
| 003 | MY-KLNDU | ||
| 005 | 20241219015149.0 | ||
| 008 | 221104 20162016nyua b 001 0 eng d | ||
| 020 | |a 9780231174008 (cloth:acid-free paper) | ||
| 020 | |z 9780231540551 (ebook) | ||
| 039 | 9 | |a 202211041246 |b VLOAD |c 202011251014 |d faezah |y 202007061142 |z shahrim | |
| 040 | |a UPNM |b eng |c UPNM |e rda | ||
| 090 | |a DS 63.2.U5 |b E38 2016 | ||
| 100 | 1 | |a Edwards, Brian T. |d 1968- |e author | |
| 245 | 1 | 0 | |a After the American century |b the ends of U.S. culture in the Middle East |c Brian T. Edwards |
| 264 | 1 | |a New York, NY |b Columbia University Press |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a xv, 268 pages |b illustrations |c 24 cm | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a unmediated |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a After the American century : ends of circulation -- Jumping publics : Egyptian fictions of the digital age -- Argo fuck yourself : Iranian cinema and the curious logics of circulation -- Coming out in Casablanca : Shrek, sex, and the teen pic in contemporary Morocco -- Epilogue: Embracing orientalism in the homeland | |
| 520 | |a "When Henry Luce announced in 1941 that we were living in the 'American century, ' he believed that the international popularity of American culture made the world favorable to U.S. interests. Now, in the digital twenty-first century, the American century has been superseded, as American movies, music, video games, and television shows are received, understood, and transformed in unexpected ways. How do we make sense of this shift? Building on a decade of fieldwork in Cairo, Casablanca, and Tehran, Brian T. Edwards maps new routes of cultural exchange that are innovative, accelerated, and full of diversions. Shaped by the digital revolution, these paths are entwined with the growing fragility of American 'soft' power. They indicate an era after the American century, in which popular American products and phenomena--such as comic books, teen romances, social-networking sites, and ways of expressing sexuality--are stripped of their associations with the United States and recast in very different forms. Arguing against those who talk about a world in which American culture is merely replicated or appropriated, Edwards focuses on creative moments of uptake, in which Arabs and Iranians make something unpredicted. He argues that these products do more than extend the reach of the original. They reflect a world in which culture endlessly circulates and gathers new meanings"--Publisher's website | ||
| 592 | |a 0105/HL/2020 |b 2/9/2020 |c RM 204.25 |h Han Lin Books | ||
| 650 | 0 | |a Popular Culture |z United States | |
| 650 | 0 | |a Popular culture |z Middle East | |
| 650 | 0 | |a Orientalism |z United States | |
| 650 | 0 | |a Ethnic attitudes |z Middle East | |
| 650 | 0 | |a Culture diffusion |z Middle East | |
| 650 | 0 | |a Globalization |x Social aspects |z Middle East | |
| 651 | 0 | |a United States |x Relations |z Middle East | |
| 651 | 0 | |a Middle East |x Relations |z United States | |
| 651 | 0 | |a Middle East |x Civilization |y 21st century | |
| 999 | |a vtls000065826 |c 55983 |d 55983 | ||