The shaping of Persian art collections and interpretations of the art of Islamic Iran and Central Asia
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| Format: | Book |
| Language: | English |
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Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2013
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Table of Contents:
- Why Persian Art Needs to be Studied and Collected / Yuka Kadoi and Iván Szántó
- Persian Art in Romania before World War I / Mircea Dunca
- From Armchair Literates to Art Historians: The Polish Collections of Persian Manuscripts / Magdalena Ginter-Frołow
- The Central Asian Collection at National Museums Scotland: History and Perspective / Friederike Voigt
- Persian Art in 19th-Century Vienna / Barbara Karl
- Persian Art for the Balkans in Austro-Hungarian Cultural Policies / Iván Szántó
- The Reception of Persian Art in the Czech Lands: Collections and Studies / Sabina Dvořáková
- The Mediation of Photography: Persian Paintings in European Printed Books and Journals / Iván Szántó and Tatjána Kardos
- Persian Art in France in the 1930s: The Iranian Society for National Heritage and Its French Connections / Alice Bombardier
- Philipp Walter Schulz and Friedrich Sarre: Two German Pioneers in the Development of Persian Art Studies / Joachim Gierlichs
- "The Most Important Branch of Muhammadan Art": Munich 1910 and the Early 20th Century Image of Persian Art / Eva-Maria Troelenberg
- A Loan Exhibition of Early Oriental Carpets, Chicago 1926 / Yuka Kadoi
- Tajik Art : A Century of New Traditions / Larisa Dodkhudoeva, Rustam Mukimov and Katherine Hughes


