Movies and politics the dynamic relationship

Collecting together some of the best thinking about the relationship between movies and politics, this book, originally published in 1993, encourages an awareness of the political dimension of film, both for film scholars and those entering the film industry. Eight essays are grouped into four parts...

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Bibliographic Details
Other Authors: Combs, James E. (Editor)
Format: Book
Language:English
Published: London New York Routledge Garland Publishing, Inc. 2014
Series:Routledge library editions: cinema
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264 1 |a London  |a New York  |b Routledge  |b Garland Publishing, Inc.  |c 2014 
264 4 |c ©1993 
300 |a xiii, 304 pages  |b illustrations  |c 24 cm 
336 |a text  |2 rdacontent 
337 |a unmediated  |2 rdamedia 
338 |a volume  |2 rdacarrier 
490 1 |a Routledge library editions: cinema 
504 |a Includes bibliographical references and index 
505 0 |a Introduction -- Part 1: Political Ideology and Movie Narrative -- 1. Who's Running this Show? : Ideology, Formula and Hegemony in American Film and Television -- 2. Film, Politics, and Ideology: Toward a Multiperspectival Film Theory -- Part 2: Political Myth in the Movies -- 3. The Prices of Power: Women's Depictions in Film -- 4. Leatherstocking in 'Nam: Rambo, Platoon, and the American Frontier Myth -- Part 3: Political History and Movie Culture -- 5. "Grief in the Limelight": Al Capone, Howard Hughes, the Hays Code and the Politics of the Unstable Text -- 6. Designing Multi-Cultural America: Modern Movie Theatres and the Politics of Public Space 1920-1945 -- Part 4: Political Communication and the Movies -- 7. Politics and Auteurs: From Chaplin to Wajda -- 8. Political Propaganda in the Movies: A Typology 
520 |a Collecting together some of the best thinking about the relationship between movies and politics, this book, originally published in 1993, encourages an awareness of the political dimension of film, both for film scholars and those entering the film industry. Eight essays are grouped into four parts addressing political ideology and movie narrative, political myth in the movies, political history and movie culture, and political communication and the movies. An introductory essay, as well as prefatory remarks to each of the four parts, brings additional insight and perspective and puts the essays into context. 
592 |a 015-035  |b 22/5/15  |c RM488.75  |h Ilham Focus 
650 0 |a Motion pictures  |x Political aspects 
650 0 |a Politics in motion pictures 
700 1 |a Combs, James E.  |e editor 
830 0 |a Routledge library editions: cinema 
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