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    The shaping of Persian art collections and interpretations of the art of Islamic Iran and Central Asia

    Published 2013
    Table of Contents: “…Why Persian Art Needs to be Studied and Collected / Yuka Kadoi and Iván Szántó -- Persian Art in Romania before World War I / Mircea Dunca -- From Armchair Literates to Art Historians: The Polish Collections of Persian Manuscripts / Magdalena Ginter-Frołow -- The Central Asian Collection at National Museums Scotland: History and Perspective / Friederike Voigt -- Persian Art in 19th-Century Vienna / Barbara Karl -- Persian Art for the Balkans in Austro-Hungarian Cultural Policies / Iván Szántó -- The Reception of Persian Art in the Czech Lands: Collections and Studies / Sabina Dvořáková -- The Mediation of Photography: Persian Paintings in European Printed Books and Journals / Iván Szántó and Tatjána Kardos -- Persian Art in France in the 1930s: The Iranian Society for National Heritage and Its French Connections / Alice Bombardier -- Philipp Walter Schulz and Friedrich Sarre: Two German Pioneers in the Development of Persian Art Studies / Joachim Gierlichs -- "The Most Important Branch of Muhammadan Art": Munich 1910 and the Early 20th Century Image of Persian Art / Eva-Maria Troelenberg -- A Loan Exhibition of Early Oriental Carpets, Chicago 1926 / Yuka Kadoi -- Tajik Art : A Century of New Traditions / Larisa Dodkhudoeva, Rustam Mukimov and Katherine Hughes…”
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